Remembering the writer through poems that range from her life in New York City to her journey as a young child from India to Sudan.
Poet, essayist, novelist and scholar Meena Alexander died in New York City, her home since the 1980s, on November 21. Her poetry remained stepped in her Indian roots as well as embracing her many homes, including the time she spent in Sudan and England. These six poems from her book Atmospheric Embroidery, published in 2015, show how Alexander’s verses embodied both the deeply personal and widely political.Atmospheric Embroidery
Wads of ice-cream glisten on Route 6. We stroll into summer, thoughts thrust into a bramble Oriental bitter-sweet pocking the hedges, Fists in pockets, lemonade dripping from a child’s hem. In Boetti’s embroidery, in his mapping of the world Everything is cut and coupled, Occult ordering – silk and painted steel Sun and electric moon, butterfly and naked man. In The Thousand Longest Rivers The Nile is the hardest water Then comes the Mississippi – Missouri. Once we lived by brilliant waters Suffered the trees’ soft babble, Fissures in magma. Already its August – Season of snipers in the heartland, Season of coastlines slit by lightning And smashed bouquets of the salt spray rose. Now I think it’s a miracle we were able, ever To put one foot in front of the other and keep on walking.Shook Silver
I was a child on the Indian Ocean. Deck-side we dance in a heat-haze, Toes squirm under silver wings. Under burlap someone weeps.
Amma peers out of the porthole,
Sari stitched with bits of saffron,
Watch out for flying fish
She cries.
Our boat is bound for Africa.
They have goats and cows just like us,
Also snakes that curl
Under the frangipani tree.
Remember what grandmother said?
If you don’t keep that parasol
Over your head
You’ll turn into a little black girl.
Where is she now,
Child crossing the livid sea?
Older now,
I must speak to the shadows.
Udisthanam
Piercings of sense, Notes lashing time Ecstatic self hidden In the ship’s hold “I” legible Solely in darkness: Shot flames, Anchorage of divinity. On the South Indian coast In eighth century heat Tiruvalla copper plate Marked the morning hour Before the sea clamored And the shadow of the body Lay twelve feet longer Than Sita herself, Littoral burning With sacred fires – passage To a kingdom beyond The peepul trees.
Where are those refugees
Amma did not want me to see,
Gunny sacks and torn saris
Stitched together with cord?
Breath of my breath, bone
Of my bone, dark god
Of the Nilgiris,
Who will grant them passage?